Since the early years of the 21st century, Pascal Lièvre has brought together seemingly contradictory cultural registers through his paintings, photographs, videos and installations. Based on hybridization and appropriation, Pascal Lièvre’s propositions are visual as well as political. Art History is questioned through the reactivation of iconic figures of popular or high culture : As early as 2004, he revisited historic performances by female artists such as Orlan, Gina Payne or Marina Abramovic.